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Author:
Hazel
From Tangible Interfaces to Creative AI
May 7, 2025
My Research Journey of AI, Wellbeing and Robotics, by Kieran Woodward I started my PhD in 2018 at Nottingham Trent…
Cat Royale: ‘Breakthroughs in Storytelling’
April 23, 2025
The Columbia University School of the Arts’ Digital Storytelling Lab (DSL) has selected Cat Royale as one of the recipients of…
Somabotics: why to document?
April 22, 2025
By Gabriella Giannachi I research the documentation of performance and new media art, often focussing on artworks which are event-based,…
Taking forward learnings
April 15, 2025
Through involvement in projects such as Horizon's 'Hybrid Relics' and the Trustworthy Autonomous Systems 'Cat Royale' my developing approaches and…
The handshake of the host affects the taste of the roast” – Benjamin Franklin
April 11, 2025
But what kind of roast would be appropriate if the host is entirely robotic? On Wednesday 12th March, Steve Benford…
LOERIC: When computers become performers
April 2, 2025
AI models that generate music are nothing new. But how can an AI agent perform music live with another human?…
How Artists Improvise and Provoke Robotics
March 25, 2025
Now available Open Access Authors: Steve Benford, Rachael Garrett, Eike Schneiders, Paul Tennent, Alan Chamberlain, Juan Avila, Pat Brundell…
Somabotics – at the Royal Society & Royal Academy of Engineering – Awards, AI, Robotics and the Humanities
March 21, 2025
Robots, Awards and AI The last couple of weeks has been an exciting time for the members of the…
TCT Asia 2025
March 20, 2025
Feng Zhou, Research Fellow in HCI & Additive Manufacturing recently attended TCT Asia 2025, Taking place at the National Exhibition…
Enhancing Robotic Telepresence Through Soma-Bits: a recent workshop and reflections
March 20, 2025
Researchers from the Mixed Reality Lab are pursuing an exploration into Mobile Robotic Telepresence leveraging embodied design principles and the…
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